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Sunday, July 10, 2011

SpinTunes #3 Round 2 Review: Rebecca Brickley

Rebecca is a past SpinTunes finalist, so it's great to have her back as a guest judge.  Hopefully she'll be back writing music for SpinTunes in the future.  Until then, enjoy this  Alan Lastufka & Luke Conrad cover & of course her reviews.

Making A Scene


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First of all, just let me say I’m so honored that Travis asked me to be a guest judge this round. I have so much respect for all of you and I’m always happy to be involved in SpinTunes in whatever way I can. This round was really excellent – a lot of diversity in both topic and style. It wasn’t easy judging at all. I just want to say that I was really impressed with everyone, including the shadows. Pats on everyone’s backs. Go on. Pat yourself on the back. There you go.

Now, I’m just a young musician myself so I don’t consider myself any kind of professional or expert. But I do know what I like in songwriting and what is expected in a competition like Spintunes, so I approached my judging style with those things in mind. First, I listened through all of the songs without looking at the lyrics, to get a feel for them. I was listening for two major things:

Do I understand what the song is about? Can I get a feel for the article by listening to the song? Is the song memorable? Do I want to listen to it again?

After this dry run, I re-listened to the songs several times with a more critical ear, and I took a closer look at the lyrics. Production quality is not that important to me, as I know well the woes of writing and recording something in a one-week time period. Since this is a topical challenge, what matters most is to me that you were able to convey a clear message and make me feel emotionally connected to the song.

Things that go a long way with me:
- Clever rhymes
- Understanding your musical style (and being able to pull it off)
- Approaching the topic in a creative way
- Quality of lyrics over quantity

Things that don’t go over well with me:
- Vagueness about the story
- Wordiness
- Excess length
- Overcomplication of the backup track

In the end, I ended up ranking some songs much lower than I expected and some higher than I expected - it’s hard to rank songs when they are all so good. But they must be ranked. In the end, I went with the songs that were the most memorable to me and that seemed to meet the challenge effortlessly. Please know that it wasn’t easy!

Program Aids Food Stamp – Offand Band
Sounds like a contemporary Broadway musical – I love it. Great chord changes – not too predictable. Natural rhymes, didn’t feel forced – although it was a little wordy at times. Unique topic – definitely not what I was expecting. The song focused more on the struggles of Ms. Johnson rather than the actual article, but it may have been a smart choice because it added heart to the story. Loved the instrumental ending. A strong song, for sure.

Message for Vivian – Gold Lion
Nice mix. Very beautiful, haunting voice – and this style is perfect for it. I like the melody in the verses, but it’s definitely on the simple side. I’ll confess - the first time I listened to the song, I couldn’t figure out what it was about. But after reading the lyrics. I realized how touching the story was. I think it just moved a little too slowly for me to really grasp it all – in the end the song felt a little long. But definitely a very sweet. My favorite part was the chorus.

Edric Haleen – What About Love?
Edric, this song is freaking fantastic. The complete opposite of what I expected. I immediately thought of Eminem while listening to this, haha. I’m impressed with how well you can rap. Your rhymes are fantastic. You put a lot of emotion into it. I sound like a silly white girl critiquing rap, but seriously, I really wish I could share this song with the whole world (I won’t though!) Really good.

Jutze – Re: Your Oil
I had such a smile on my face the first time I heard this song. I loved the snarky voice and the dark humor of it. I really liked the repeated phrase in the chorus and the rises and falls in the energy. And the final line was perfect. Good mix. The message of the song was clear. The lyrics were clever and you have a good sense of musicality. As soon as I heard this song, I immediately wanted to relisten. Great job.

Dr. Lindyke – Prayer for Peace
This song gave me chills. The harmonies during the chorus were truly haunting. I love the simplicity of the guitar and how bare the song is. It had the feel of a folk song that might have been passed down for generations. A touching subject. The lyrics, while repetitive, suited the style and helped to drive the message home. Very well done. Stuck in my head for days!

Governing Dynamics – Cameras, Streetlights, And Things Worth Fighting For
As always, Travis, your mix is great and you really know how to pull off this style. I was really impressed. Though the chords in the guitar are simple, you were able to keep it fresh. I wasn’t sure what the song was about until you said the word “Vancouver” but once I got the idea, I fell in love with the song. Fantastic lyrics - they really made me think of the chaos in the streets of Vancouver that night. The melody was a little repetitive, which made the song feel a little long. But I think you chose an excellent topic and pulled it off really nicely.

Pat and Gweebol – The Story is Mine: Confession of an Undocumented Immigrant
I love the bouncy feel! Another song that reminds me of contemporary Broadway, as far as musical style. Felt a little short, but the production quality is fantastic. Absolutely loved the horns and how you used them to accent the ends of lines. Your voices go together nicely. The story behind the song was a little vague, but a very catchy melody. I had it stuck in my head for a long time!

Alexa Polasky – Infidelity
What a heartwrenching song, wow. Definitely a song that could stand on it’s own to legs outside of this competition. I love the simplicity of your voice and the ukelele. I think the simplicity of this song is what makes it great – you don’t have many lyrics, but you chose them well and they carry a lot of emotion. Clear message, great musicality, good length – nothing feels forced or rushed. One of my favorites songs this round.

Matt Walton – Take Your Placards
I want to hug you for choosing this style. Risky, simple - but you pulled it off nicely. It lends itself to a very strong melody. Another song I had stuck in my head for a long time. You have a lot of lyrics but they don’t feel wordy – you told the story well, and you were able to keep it musical and interesting. The refrain held the song together liked the use of multiple voices. Fantastic job.

Godz Poodlz – Independence and Freedom for All
Great mix. My favorite part of the song was the chorus and your use of harmonies. I was able to understand your lyrics and the message, and the line “Independence and Freedom for All” was a great hook – it brought heart to the long. Great length. Chords are a little predictable but work well. Your message was clear. Definitely a strong song.

Chris Cogott – Welcome to Kabul
The guitar drew me in – very refreshing and I loved the way you used the electric over the acoustic. I like the doubling of the voices, it adds to the style nicely. The message was touching and you expressed it well with your lyrics, your use of harmonies, and your energy. A song that could easily stand alone outside of this competition.

Inverse T. Clown – Something in the Air
And now for something completely different! A lot of lyrics, wow. My initial instinct is to say that the song feels a little long and wordy. However, you are one of the few who really told a detailed story that connected clearly with the article. Since that was the challenge, I applaud you for that. Your musical style suited the topic very well! Your rhymes are right on target, the music was fresh, and your article was definitely unique. The song definitely stands out among the rest.

Caleb Hines – Too Soon to Say
The strings and the piano at the beginning were a great opener – drew me into the song immediately. The rhymes were a little easy but I was able to understand the story clearly. Your voice is fantastic. The rises and falls in the energy really added emotion that was the heart of the song. Some clever chord changes, nice musicality. A great balance of story and emotion, and pulled off very well.

Matt and Donna – A Tight Spot
When I first heard this song, I wasn’t sure I understood what it meant – is this really a song about a boy getting stuck in a banister? But I went and read the article and the lyrics, and I laughed. A very unique topic - way to go for having fun with this challenge! Your mix was great. You were very creative approaching it from the view of the older brother. The song was catchy and I liked the energy. The lyrics felt natural and easy in a good way. Great job with this challenge.

Wait What – Bunny Please Don’t Go
You get a high five for the lyrics in this, seriously! I’m a sucker for these clever rhymes (I actually clapped at million/Brazilian). Really smart. Your story was definitely unique and you pulled it off in a way that was both funny and catchy. I was able to understand the story the first time I listened through. The melody and the instrumentals were naturally suited for the song, nothing felt out of place. Your final line was hilarious. I’m just so happy this song exists in the world.

Ross Durand – The American Way
I’m trying really hard not to let my personal music preferences sway my opinion, but I absolutely love the style of this song. And your voice is just so perfect for it. I feel like I’m listening to Bob Dylan. The song has a great dry humor and your message is very clear. I like your lyrics. It felt a little wordy at times, there are a few phrases that probably could’ve been made more singable – but you pulled it off and it suited the protest-song style. I wanted to keep listening to it over and over. Well done.

Steve Durand – When Frankie and Johnny Get Married
This song put such a smile on my face. I was hoping someone would write about this! And in the style of a march – I wasn’t expecting that! But you pulled it off effortlessly. The horns, the flutes, the clarinet, the snare – just absolutely fantastic. I can see people performing this onstage at a pride festival. And ending with the phrase “a gay old time” – perfection. Excellent musicality. Smart, cute lyrics. Great use of style. Clear message. Definitely memorable. One of the best songs this round.

Happi – Double The Fetish
Let me tell you - I was not expecting a rap, but it was an awesome surprise! I have to give you props on several things. One, you told a very clear, unique story that came directly from an article. Two, your song definitely stood out among the rest. And three, your style was perfect for the story. Some of your rhymes were a little awkward, and your harmonies weren’t very clear at times, but you told the story well and your refrain held the song together. Props for writing a song about an article like this!

Charlie McCarron – The Mountain Will Not Yield
Your harmonic structure was the first thing that stood out to me. Refreshing, creative. I fell in love with it immediately. Your music told the story as much as the lyrics did. A lot of emotion in your voice, it really drew me in. Very smart production – nothing was overdone, all the pieces fit together great. Your article was unique and your approach was right on target. I want to just keep on gushing about this song, seriously - I will definitely be listening to it long after this competition is over. Really, really well done.

Jon Eric – North Dakota
A song in movements! Wow, you definitely put a lot of thought and effort into this song! I like the contrasts between each movement and the ease with which you tell the story. It is a very long song, but that’s not necessarily a weakness if you can pull it off. Some parts felt a bit repetitive and I feel like it lost focus in some places, but you did a really great job with it overall. Your lyrics told the story well, you clearly demonstrated your musicality, and you showed an emotional investment in the song. I would like to hear a mix with more instruments involved to see if you would have done more with it. But you were really ambitious and you get major points from me for that.

Alex Carpenter – The Last Launch
Another song about the final launch! I love the energy, I definitely caught myself dancing this! The song is a little shorter than I expected - but sometimes less is more, and your lyrics definitely told the story in a way that was both catchy and emotional (the geek in me smiled at “the final frontier”, not going to lie.) I like the simplicity of the chords. Great style, great vocals. A little wordy in places, and a few of the chord changes felt a little off, but you pulled if off easily. Nice job!

Glen Raphael – Billion Metal Dollars (Shadow)
I LOVE the acoustic guitar picking. Your lyrics and your rhymes are smart and very appealing. I’m impressed that you were able to write such an emotional song about golden dollars, really. If this wasn’t a shadow, it would definitely get a high ranking from me. Simple, clear, musical, and poetic. Congrats on your everything!

Doom Skittle featuring Luke Brekke, Esquire – Going Undercover (Shadow)
Your guitar picking was the most refreshing part of this song – however, sometimes it was too prominent. Your vocals could’ve been a bit higher in the mix – it’s hard to follow the story when I can’t hear you! However, your lyrics clearly told the story presented in the article and you met the challenge very well. Great story song.

Noah McLaughlin – Fear Drive (Shadow)
Fantastic energy! Another great story song. Your rhymes were refreshing and smart. The song was a little long but you kept my attention through the whole thing. One of the few songs this round that told a very detailed story. I like your voice and your attitude - you have a distinct attractiveness to your vocal style, it’s great. Good job!

Menage’ a Tune – The Furries are Heading Back to Pittsburgh (Shadow)
I’m having a hard time coming up with a word to describe this song that isn’t “adorable”. Really, it’s great! So cute! And catchy. I could sing this while driving along in the car. Great job ladies.

Young Stroke aka Young Muscle – One Dollar Robber (Shadow)
You know your style, I’ll give you that. You can rap, man. You rhymes feel really natural and this song has great hooks. You told the story in the article clearly and your lyrics had a great voice to them. Definitely something I could hear on the radio!

SpinTunes #3 Round 2 Review: Hazen Nester

There are a few people from Masters Of Song Fu that I have enjoy listening to that I have not been able to drag into SpinTunes yet.  Hazen is one of them.  He may be too busy to compete at the moment, but at least I got him here to do some reviews.  I'll keep nagging him about competing though.



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I was asked to provide a guest review of this round of Spintunes and, in some ways, I barely feel qualified. My only music credentials of note are the six songs I produced as a competitor in FRED Entertainment’s Masters of Song Fu (both as a solo artist and as part of the short-lived band His Name is Legs) and even though I am currently working on a proper album, I’ve been out of the game for so long, I’ve forgotten how difficult songwriting can be for me. Never mind producing a completed record in a week’s time. For that alone, respect to these competitors and shadow songwriters must be given.

For my reviews, I shall endeavor to judge as objectively as I can while recognizing the various budgets, production skills, and production values that our artists have to work with. That can only go so far, though. In the end, de gustibus non est disputandum; it must not be disputed regarding tastes. While I’m certain that my critiques and individual ratings will indicate who the cream of the crop is, there will probably be a few discrepancies in the rankings. No critical offense is intended. Now, then, let’s begin with the Shadows.





SHADOW ENTRIES


Glen Raphael – “Billion Metal Dollars”: The notes for this song indicates that, due to being on vacation, this is basically a demo. If that’s the case, don’t change a thing; just rerecord. I love the singer-songwriter vibe and the image of $1 billion worth of coins being kept out of circulation presents a wonderfully innocuous image that’s perfect for Glen’s aesthetic.

Overall Rating: 9/10

Doom SKITTLE (featuring Luke Brekke, Esquire) – “Going Undercover”: I have to admit that I’m surprised that Doom SKITTLE was the only one who used America’s Finest News Source for the germ of their song. Pity, though, that I can barely hear anything he’s singing. Also, the recording seems a bit sloppy with seemingly random percussive effects.

Overall Rating: 7/10

Noah McLaughlin – “Fear Drive”: Georgia’s ramping up immigration enforcement and the debate is presented in this entry. While it’s rocking and driving, the vocals exist in this nebulous area between Johnny Cash and Van Morrison that doesn’t really work that well. The guitars also seemed to be a bit too present in the mix.

Overall Rating: 7.5/10

Menage' a Tune – “The Furries Are Heading Back To Pittsburgh”: A furry convention is taking place in Pittsburgh and that demands a theme song for the year. If I was organizing the con, though, I’d get it rerecorded. The synch issues stick out like a sore thumb. The tune is cute, though, and it was a nice little touch quoting Doctor Doolittle.

Overall Rating: 6.5/10

Young Stroke a.k.a. Young Muscle – “One Dollar Robber”: What a fantastic opening. And then the rapping began. I’m not sure if the hick voice was intentional, but it was distracting. Also, including the news music in the middle of the second verse destroys the feel that YS established in the first. Also, a lot more creativity could have been done with the remix to keep things interesting rather than having two separate grooves.

Overall Rating: 6/10





COMPETITORS’ ENTRIES


The Offhand Band – “Program aids food stamp users”: Although bonus points aren’t technically awarded in my judging, it’s fairly inspired thinking to go with a local news story as opposed to the major news headlines. Furthermore, I was surprised that the lyrics were of the artist’s creation and not taken from the article itself. To say that I was fooled would be an understatement.

There’s also something about the 70’s folk band vibe (think Eagles or America) that works well with the song’s aesthetic. For me, it denotes a folksy, down-home feel where everybody works together and is happy. In other words, and I mean it in the best way possible, Sesame Street. The Offhand Band may not exactly have an ideal studio set-up or training, but in my book this song strikes a chord that more than makes up for it.

Overall Rating: 8/10

Gold Lion – “Message For Vivian”: The song hinges on a poignant photograph of a bald eagle perched on a tombstone in a military cemetery. While the article that the song is based on is a compelling human-interest piece, it didn’t seem to get translated well into final mix. Without the context of the article to compare the song to, it can leave one confused about what this song is even about. I certainly felt that way on first listen.

I really like the muted rock vibe that the song uses. Unfortunately, whether it’s lack of resources or production value, I feel it’s incomplete. I would have preferred to have some sort of bottom end present, even if it was just whole-note MIDI bass guitar that played only the root note of each chord. Also, I think that with a bit more time to work on the guitar solos, they could have been honed to an amazing point. Sadly, they sound a bit sloppy. Bear in mind that this comes from a guy whose own guitar solos are somewhat lacking. There’s a lot of potential; keep working on it.

Overall Rating: 6.5/10

Edric Haleen - “What About Love”: Before I begin on this, I must give kudos to Edric for doing a piece outside of the musical niche that he fills and fills well. Hip hop has been a vehicle for bringing awareness to social wrongs ever since the days of Public Enemy and N.W.A. so it’s a very appropriate genre choice when addressing same-sex marriage and New York’s recent legalization of same. Of the myriad of topics that could have been addressed, I’m glad that Edric took this issue.

Execution, though, could have been better. While I can’t find any fault in Edric’s always-stellar lyricism, the Eminem-esque groove feels haphazardly constructed and bland. While having the bassline be just one tone on the eighth notes allows the synths to develop around it (and develop well they do), it gets boring quickly and a boring hip hop song is a bad hip hop song. I can’t pretend to know why Edric chose the monotonous bass, but I get this niggling feeling it was to give the song some rhythm in the absence of percussion, save for a few accents in the form of cymbal hits. Even the most socially conscious rap songs have a strong backbeat established and without a regular snare and kick drum laying it down, Edric’s song is neutered.

Overall Rating: 6.5/10

Jutze – “Re: Your Oil”: The ongoing civil war in Libya (and NATO’s involvement in it) provides the impetus for this Led-Zeppelin-meets-Jonathan-Coulton rocker. Quick note: I feel that similarities with the refrain and the title to the latter’s “Re: Your Brains” are no accident. It’s certainly a cynical take on NATO’s intentions in the region and understandably so given the past history of Western intervention in the region. Also, much like a great deal of Jutze’s catalog, it was fun to listen to.

Not that it’s without its own set of flaws, though. Thick accent aside, the vocals are a bit on the pitchy side in the parts that are sung (the intro, outro, and refrain). Also, the piano parts are somewhat jarring when compared to the driving hard rock of the verses. All in all, “Re: Your Oil” is not a bad entry from our Teutonic Titan.

Overall Rating: 7.5/10

Dr. Lindyke – “Prayer For Peace”: Solo guitar and vocals are the order of the day in this mournful ballad about Israel and its continuing struggles in the region. The empty sonic space invites contemplation and that only helps this entry.

The only criticism musically I have regarding this song stems from ignorance. The harmony parts that come in sound more like a mariachi band than Hebrew folk music to my ear. Then again, I don’t listen to Hebrew folk music at all and if it does normally sound like that, mea culpa.

Overall Rating: 9/10

Governing Dynamics – “Cameras, Streetlights, And Things Worth Fighting For”: As an unabashed hockey fan, I must say that I enjoyed the 2011 Stanley Cup Playoffs and especially the Finals which pitted the Boston Bruins against the Vancouver Canucks. For our non-sports fans, the series was decided in the seventh and final game in a lopsided victory for the Bruins. Vancouverites didn’t take it well and they decided to party like it was 1994 (when the Canucks lost the Finals to the New York Rangers in game seven). In this background of chaos, the famous picture of a couple sharing a kiss in the middle of the riots was taken. The adage that a picture is worth a thousand words is certainly on display with GD’s entry as it analyzed not only the common perception of the events of the photo, but also what others testified to what happened.

The start of the song seemed promising with the guitars and the drum groove, but when the vocals began, I felt somewhat disappointed. They were buried in the mix and I could barely make out the words. Furthermore, I was at a loss in trying to discern a melody. It as if it was an afterthought as the words were crammed into an awkward meter to make the rhyme scheme work. It’s not terrible, but it could have been amazing.

Overall Rating: 7.5/10

Pat And Gweebol – “The Story Is Mine: Confession Of An Undocumented Immigrant”: Oh, the egg on peoples’ faces when a Pulitzer Prize-winning journalist admits his past as an undocumented immigrant. Pat and Gweebol then adopted this story and converted it into a song of empowerment and hope for reform. The result is catchy and fun.

Great pop construction and instrumentation is the foundation of this song. Successfully channeling the feel of other piano pop artists like Ben Folds and Mike Lombardo, P&G gives a virtually flawless song. Whatever bugaboos I have are minor (I feel it’d benefit from a brisker tempo).

Overall Rating: 9.5/10

Alexa Polasky – “Infidelity”: I really hate to pick nits for a song like this, but I wonder exactly how well this song fits with the criterion “topical.” The inspiration was a piece about sex-advice columnist Dan Savage and it included tangential reference to Weinergate. The final product is very open-ended, though, and could easily have been a run-of-the-mill break-up song totally divorced from the context.

On the other hand, I am hard-pressed to find a fault with it musically. The vocals may sound a bit weak and fragile, but it fits in quite well with the ukulele and the song as a whole. It needs that fragility to help illustrate how delicate the relationship was. In the end, it took a great deal of deliberation to see if how I should rank this and I decided that it does meet the criterion...barely. As such, it does take a few hits in the rankings.

Overall Rating: 7.5/10

Matt Walton – “Take Your Placards Down To London”: The song doesn’t focus as much on the event covered but, rather, how it was presented. One can easily imagine thousands of English public-sector workers arriving on time, stating their case, and tidying up after themselves after they leave. It is certainly a unique take on the challenge.

Musically, it tries to channel into the folk vein with the unchanging drone, the sparse bodhrán, and the simple melody. While I can live without any chord changes or modulations, the harmonies jarred me out of the listening experience. Although tonally sound, they just didn’t seem to fit with the melody.

Overall Rating: 7/10

Godz Poodlz – “Independence And Freedom For All”: In the time that I’ve known the individual members of Godz Poodlz, I’ve seen their clear senses of right and wrong and as far as I know this is the first time they’ve done something overtly political as GP. Their inner Minnesota liberals comes to the fore as they craft a song around the story of an old man who robbed a bank to get the medical care he needs in one place where he could get it: prison. It was the perfect bone for the Poodlz to gnaw on.

The chord changes are simple, straightforward, and catchy – a must for political songs. Unfortunately, the mix seems a bit off for me. While the vocals aren’t buried in the mix, they are a bit deeper than they should be. Also, the quality of the vocals isn’t as assertive as the subject matter demands. Still, it was a good effort.

Overall Rating: 8/10

Chris Cogott – “Welcome To Kabul”: The improbable story of American Saiz Ahmed, who was trapped in the middle of a significant battle at the hotel he was staying at, is retold by Chris Cogott in a very intimate manner. It immediately sucks you in and paints a fantastic sonic picture.

Did someone tell Chris that I was going to be judging this round? Because it sure sounds like it was tailor-made for my personal music preferences. In any case, it’s clear that Mr. Cogott knows how to produce a record because it sounds exquisite. Even without a bass guitar or a drum kit, the sonic palette presented is perfect for the mood Chris created. Bravissimo.

Overall Rating: 9.5/10

Inverse T. Clown – “Something In The Air”: The International MIDI Master of Mystery takes an otherwise banal story of an increase in UFO sightings in Kansas City, Missouri and turns it into the beginnings of an alien invasion, otherwise known as ITC’s wheelhouse of nerdy electronic rock. It’s a pity that I feel like this song has been done before. In fact, the similarities I see with his song “Devastator” are a bit too close for my liking.

I can’t fault Inverse’s sequencing or lyrics. There’s something I can’t quite put my finger on that rubs me the wrong way. The singing (or rather how the vocals sit in the sonic spectrum) isn’t the whole of the problem; that much I’m sure of. I guess I’ll file this rating as a matter of taste. I really don’t like having it boil down to that, though, as it makes me seem like a douche.

Overall Rating: 7/10

Caleb Hines – “Too Soon To Say Goodbye”: The launch of Space Shuttle Atlantis hits close to Caleb’s home as someone who grew up in his hometown will be on board the program’s final flight. I participated alongside Caleb in his first competition (Masters of Song Fu #4) and I have to commend him on his progress as a songwriter; he’s come a long way in roughly two years’ time.

As a farewell to the shuttle program, Caleb does a good job tugging at the emotional heart strings with, appropriately, synth strings. The vocals, though, seem a bit muddy sounding and buried a bit in the mix. In any case, good job.

Overall Rating: 8/10

Matt And Donna – “A Tight Spot”: Let’s face it, we’ve all seen pictures and videos of kids who’ve gotten stuck in chairs, banisters, swings, and other sorts of gaps and whose parents had to call emergency personnel to free them. If you’ve laughed at those images, you’d probably sympathize with the hypothetical mischievous sibling that M&D have introduced to this story. It’s a clever way of adding another dimension to the original story.

While the instrumentation is great, the drum mix is really unbalanced with the open hi-hat nearly drowning out everything else. Mix issues aside, it is well constructed and well performed.

Overall Rating: 8.5/10

Wait What – “Bunny Please Don’t Go”: We all know that it happens, but we never EVER speak about Hugh Hefner having sex with any of his bunnies. The only exception is when there’s humorous material and, even with an auto-tuned Hef, this song comes up short of being funny. Instead it turns out kind of disgusting. Not unlike Hef, actually.

I won’t lie; “Bunny” has a great, danceable groove. My greatest bugaboo is that the lyric choice, while certainly reminding us that this 80+ year old man manages to get 20-somethings into bed with him, seem gratuitously shocking and disgusting and if Andrew Dice Clay has taught us anything, dirty words without a solid joke are not funny.

Overall Rating: 7/10

Ross Durand – “The American Way”: In this Dylan-esque ditty, Ross covers three separate news items and the apparent lack of equality in each instance. Ross certainly made good use of a rule loophole for creativity’s sake; no one said it had to be a single issue. While he wears his political feelings on his sleeve, it’s still quite entertaining.

As I mentioned before, this song borrows heavily from the Bob Dylan School of Songwriting and Recording. Sometimes the simplest ways of doing things are the best and descending basslines with simple chord changes are among the simplest tricks in the pop music book. Ross knew exactly what he was making and how to achieve it.

Overall Rating: 9/10

Steve Durand – “When Frankie And Johnnie Got Married”: Given how recent it was when the challenge was issued and the implications as a result of it, New York’s legalization of gay marriage has proved to be one of (if not the) most popular topics for this challenge. While some were more overtly political, Steve went the novelty route and did this as an old-timey sing-along.

Between the oompah-pah of the brass band accompaniment, which I’m having difficulty trying to determine if it’s synthesized or not, and the tenor singer, the only thing that was missing was both the surface noise of the wax cylinder it would have been recorded on and the use of a megaphone by the singer. Had those two been employed, it probably would have made this song reach a perfect ten.

Overall Rating: 9/10

Happi – “Double The Fetish”: The last thing you hear in this rap is, “Well, that was a waste of three minutes of your life.” I couldn’t agree more. Upon seeing the article that this song was based on, I had to admit that I was curious to see how one could make a song out of voyeurs hiding out in the receptacle of port-a-potties. And then the chorus began and two out-of-key people sing-spoke, almost making me turn off the song then and there.

Not that it’s all bad. The verse sections show a decent sense of flow from Happi. With that being said, there were a couple parts where some of the rhymes seemed to be crammed in to fit with the meter. Still, it’s as if Happi wants to get eliminated in this round. If the cause was hopeless, then a piss take like this would be understandable, but the competitors have a clean slate each time; there’s still a chance.

Overall Rating: 6/10

Charlie McCarron – “The Mountains Will Not Yield”: I’m not sure what that was, but I liked it (which happens to be the name of my Primus cover band). There seemed to be a great amount of musical depth in this first person telling of what may have been the last thoughts of a mountaineer who died in the French Alps. One of the risks of complexity is that the artist loses their audience. I don’t feel that has happened here.

I imagine mountaineering is an activity where there’s constant tension. Charlie maintained musical tension throughout the piece with an eerie upright piano and unorthodox chords and changes. What I don’t think was effectively communicated, though, was the sense of the narrator’s life slipping away.

Overall Rating: 9/10

Jon Eric – “North Dakota”: It takes real courage to do multi-part suites. It doesn’t make for popular singles and it requires a more attentive ear to fully appreciate what has been done. The fact that a song of this length and this complexity was completed on time is praiseworthy. The narrative may be unclear at times, both lyrically and musically, but the journey through it was still a fantastic trip.

Apart from periodically pitchy vocals, the production of the song was well done. The weakest movement of the piece was the fourth movement “Rain” because musically it seemed far too benign to be the great tempestuous storm and flood that was implied in the rest of the narrative. Warts and all, this was one of my favorites in this round. Bravo.

Overall Rating: 9.5/10

Alex Carpenter – “The Last Launch”: I was surprised that Alex Carpenter of The Remis Lupins submitted what amounts to a demo for competition, knowing the quality of recordings he is capable of. Then I remembered that he currently is on tour. Certainly, the pressures of schlepping from gig to gig put a hamper on writing and recording and I certainly sympathize with him.

Sadly, that still leaves us with an unpolished record. I have no doubt that with more time to refine it this song would have been great. As it is, it’s only the beginning of a tribute to Atlantis and the rest of the shuttle program. And a good beginning it is. I hope a proper finish will be released in the future.

Overall Rating: 8/10

SpinTunes #3 Round 2 Review: Ben Davila

The Offhand Band – Program aids food stamp users
- cool chord progression
- very complicated changes. nicely done
- reminds me of ben folds 5
- good vocals great song
- 4

Gold Lion - Message For Vivian
- nice voice.
- strong chorus
- nice ending
- I like that you never say explicitly what you are talking about but that the fealing still comes across
- 3

Edric Haleen - What About Love?
- cool backing vocals
- good message
- strong energy
- nice fade out
- Edric I enjoyed your song a lot. You should make an allies for your more controversial songs so that more people can hear them.
- 4

Jutze - Re: Your Oil
- strong stuff
- good chorus
- nice call and response
- great song
- I like the way the chorus has a different feeling to the verse
- 4

Dr. Lindyke - Prayer For Peace
- very pretty intro
- nice chorus almost feels spanish
- beautiful chorus
- 5

Governing Dynamics - Cameras, Streetlights, And Things Worth Fighting For
- cool guitar sound
- nice vocal rhythm in the chorus
- like that you used different lyrics in the chorus
- well done
- 3

Pat And Gweebol - The Story Is Mine: Confession Of An Undocumented Immigrant
- great song
- like the horn stabs
- great story well told
- very tight harmonies
- the statue of liberty bit is my favoret
- absolutely love this song
- 5

Alexa Polasky - Infidelity
- nice melody
- good call and response
- great lyrics
- nice harmony
- nice build at the end
- I feel like I’ve just bin dumped
- 5

Matt Walton - Take Your Placards Down To London
- bagpipes !!!
- this is brilliant
- great lyrics
- clever choice of song style
- well executed
- 5

Godz Poodlz - Independence And Freedom For All
- nice groove
- nice hook
- like the synth tone
- 4

Chris Cogott - Welcome To Kabul
- sounds like the sixties
- nice harmonies
- cool chord progression
- supper pink floyd
- nice guitar solo
- well done
- 5

Inverse T. Clown - Something In The Air
- like the space invader sound
- funny lyrics
- nice break down reminds me of hotel California
- 4

Caleb Hines - Too Soon To Say Goodbye
- like the story good choice of topic
- well written song
- cool arrangement
- like the call and response
- 4

Matt And Donna - A Tight Spot
- like the synth tone a lot
- great story well told
- I love this song!
- nice twist at the end
- great song
- 5

Wait What - Bunny Please Don't Go
- sounds like thriller
- damn
- great chorus
- funny lyrics
- great ending
- 4

Ross Durand - The American Way
- great lyrics
- nice guitar
- strong chorus
- well said, great job
- 4

Steve Durand - When Frankie And Johnny Get Married
- nice horns
- I’m in the roaring 20’s
- “tootsie wootsie” Brilliant
- I love this song
- great song well executed
- 5

Happi - Double The Fetish
- old school
- great rymes
- very funny
- gross but funny
- like that you told the story
- I think it was three min. well spent
- 3

Charlie McCarron - The Mountains Will Not Yield
- interesting chord progression
- good production
- sad but effective
- good piano sound
- nice vocals
- 4

Jon Eric - North Dakota (I. Five Years, II. Fargo, III. Panic, IV. Rain, V. Dry Land)
- cool piano
- interesting melody
- cool change
- nice backing vocals
- I like that you have different choruses
- this is a really interesting idea for a song
- nice whistling solo
- I like your transitions
- great song
- 5

Alex Carpenter - The Last Launch
- I like your choice of topic
- nice energy
- I like the lyric “if we endeavour to continue our discovery” clever
- cool ending
- 3

Glen Raphael - Billion Metal Dollars
- cool choice of topic
- very pretty reminds me of jim croce

Doom SKITTLE featuring Luke Brekke, Esquire - Going Undercover
- intense stuff
- cool guitar
- good chorus

Noah McLaughlin - Fear Drive
- cool guitar solo

Menage’ a Tune - The Furries Are Heading Back To Pittsburgh
- cool choice of topic
- love the chorus

Young Stroke aka Young Muscle - One Dollar Robber
- both hilarious and sad
- great rhymes
- cool chorus

Saturday, July 9, 2011

SpinTunes #3 Round 2 Review: David Santucci

Edric Haleen – What About Love
Very creative lyrics! Jammed full of content and abundantly clear what this song is about. Good use of syncopation and off-meter rhymes. Perhaps a little monotonous from a musical standpoint but that’s par for the course with most rap song so I don’t know that I would penalize you for it. My only major criticism is that it became difficult to hear the lyrics during the chorus when full instrumentation kicked in. Otherwise, a good clean recording; excellent job. By the way—this has no bearing on my judging of the song, but—I happen to agree with you 100% on this topic. Great job! I think you need to publish this song under a pseudonym on YouTube or somewhere where it can get the exposure it deserves. I understand your need for privacy given your profession, but I hope you will consider putting this out there as a contribution toward helping to reduce ignorance in the world.

The Offhand Band – Program Aids Food Stamp Users
Nice piano work, and you achieved a good, full sound with the instrumentation. I like your lively bass lines too. I liked the transition from the intro into the rest of the song. Clean recording, good clear vocals, no trouble hearing anything. Very optimistic feel, nice chord progressions. And no doubt what the story was about. Good job!

Gold Lion – Message for Vivian
I absolutely love your sound! It’s dank smoky goodness like a cup of hot cocoa, a blanket, and a cozy warm fire on a rainy day. You chose a pretty obscure news story, so unlike some other entries, I wasn’t able to pick out what this was about without looking at the link to the story. However, seeing what it was, your interpretation is awesome. Very mystical. I liked the use of the occasional discordant guitar twang, as if to emphasize the bittersweet aspect of this. Constructive criticisms: Occasionally (actually I think it was twice) the rhythm guitar lagged momentarily, could’ve been tighter. And during the chorus with the harmonies, the lyrics weren’t quite as clear; in the future you might consider turning the ambiance down just a notch on your vocal tracks when you stack them in harmony, just to aid in the clarity. You know what your lyrics are, but the listener doesn’t always, and I’m from the school of “people should never have to strain to understand what you’re singing.” Overall, excellent job! One of my favorites.

Jutze – Re: Your Oil
Hilarious and rockin! I like this a lot. Love the guitar sounds, especially the obnoxious distortion on the solo, went great with the insulting flavor of the song. Great use of stereo to give depth. Great balance on the mix, very clear and easy to understand the lyrics at all times. Creative and funny! Excellent job.

Dr. Lindyke – Prayer for Peace
Beautiful song, but the quality of the recording could’ve been better; undesirable amp/audio buzz was painfully noticeable at the beginning and at every pause thereafter. I found this distracting and had to make an effort to ignore it, and still wasn’t always able to. The song itself is haunting, sad, and forlorn, very appropriate for the subject at hand. Good job stacking your harmonies on the chorus; the lead vocal maintained prominence leading the other harmonies. Would score you much higher if the recording wasn’t smothered with the buzz.

Governing Dynamics – Cameras, Streetlights, and Things Worth Fighting For
I like the sound a lot, very catchy, relaxed and rockin at the same time. Lots of texture! Lead vocal a little too low in the mix when singing solo, and even occasionally when singing in unison; not easy to hear. Your lyrics are obscure, yet poetic. This is one of those songs that people could interpret a thousand different ways, and would then Google the song to try to find out what it was actually written about. The words are filled with so many potential meanings. Overall I liked it a lot, but would’ve liked it a lot more if I could’ve heard the lyrics more clearly.

Pat and Gweebol – The Story is Mine: Confession
Such a crisp, cheery sound! Very clean and clear, good job on the mix/engineering. The confidence projected in this song projects does justice to the courage of the author of the story you chose. Almost so happy it’s cheesy, but I think you found the right balance there. Thoroughly enjoyed it. Nice touch having the female vocals cover Lady Liberty. Can’t think of anything else to say except great job!

Alexa Polasky – Infidelity
The lyrics were good. But while I appreciate the simplicity of the instrumentation—or lack thereof—you chose, and the fact that this emphasized the “bare honest core of me” feeling you were going for here, I think I would’ve enjoyed this a little more if you had used a six string guitar and/or something else to get a slightly fuller sound. The sound of the ukulele in this song (and I hope I’m correct here; I’m not a string instrument connoisseur so that’s my best guess) just sounds a little inadequate to me. I can’t tell if it’s my imagination but at times I felt like one of your strings is just a hair out of tune. More than that though, just the quality of the sound of it seemed… cheap, for lack of a better word. Don’t get me wrong—I like the song itself very much, just wish it had a fuller sound.

Matt Walton – Take Your Placards Down to London
The droning buzz organ sound in the beginning was a big turn-off for me. Even when you added a second note, it didn’t help the monotony much. I was hoping that would be supplanted by something else later, and was disappointed when it wasn’t. It seems this song was intended to have the feel of a bagpipe-based Scottish military march from days of olde, which fits the theme of the teachers protesting well but seemed to make the song just go on too long. I liked your lyrics and the sound of the vocals, but having said that, it just didn’t quite have enough charm to outweigh the monotony of the droning, which made it, for me, not the most enjoyable entry. I would’ve enjoyed this much more if the droning sound would’ve been just for one verse and/or as an intro, and then more varied instrumentation introduced so that the overall sound was less monotonous while still preserving the stark, determined feel of a military march. I know that sounds tricky, and it certainly would be tricky to pull it off, but that’s the best feedback I can give you.

Godz Poodlz – Independence and Freedom for All
Nice sound! I like the use of the 80’s synth violin. Good mix, clean vocal tracks, crisp harmonies, good job. At first that minor third chord in your verses struck me kind of funny, but it grew on my by the end of the song. The only criticism I have is that I felt that maybe the sound was a little too light all the way through, and I would’ve liked maybe a more powerful low bass-filled drum fill here and there sprinkled in for contrast, or maybe even an instrumental section somewhere with more bass end. This is a very minor criticism, however. Overall this is a very well executed tune and a very enjoyable sound. Great lyrics too, and fascinating story you found there. The happy sound of your song only adds to the irony of the story. Good job!!

Chris Cogott – Welcome to Kabul
Wow. Dude. Just Wow. You produce such an amazingly full sound. Great balance between the various instruments, and great job keeping the vocal tracks clean. Your harmonies on the vocals are impeccable and your work with this song is unimpeachable. This gave me the same feeling of wonder that I got when I listened to the “Sgt. Pepper’s Lonely Hearts Club Band” album in headphones for the first time. You have so much creativity, inspiration, and talent as a songwriter and musician, and so much skill in execution as a recording artist, I really think you should be famous.

Inverse T. Clown – Something in the Air
I’m not a big fan of electronica in general—you could even say I’m an anti-fan of most of it—but this song is one of the exceptions. I can hear the work that went into this and I enjoyed it very much! The comical tone of your vocals worked really well with your lyrics and your tongue-in-cheek approach to the subject matter (and I’m a believer in UFOs, so don’t give me flack here people—it’s still fun to poke fun at UFO hysteria and this song does it very well). Good rhythms and variety. One of the reasons I don’t like most electronica is that it’s too dang monotonous and redundant. Your song had enough changes and/or unique events in it to keep me interested and entertained the entire way through. Very easy to understand all the lyrics too. Good job!

Caleb Hines – Too Soon To Say Goodbye
Loved it. I wanted to be an astronaut as a kid—who didn’t?—and this song captured that young dream and the sadness of the end of the shuttle program beautifully. Good job on the harmonies on the vocals! Clean, clear recording, very full sound, good job. I liked the use of the radio filter on the voice to take us back to 1969 as if in distant memory, and nice how you brought it full circle at the end. Good catchy sentimental tune!

Matt and Donna – A Tight Spot
Odd combination of the country-like beat & feel with the synth flute/recorder sound, kind of gave the song a little bit of a cheesy and “cheap” feel for me. Would’ve preferred a different instrument for that lead melody part. Cute take on the story though, and otherwise all of your instrumentation and sound were really enjoyable. Creative way to tell the story too.

Wait What – Bunny Please Don’t Go
Very funny choice for the story. I laughed at some of your lyrics! Good driving feel; it expressed the brooding feel of the story from Hugh’s point of view very nicely. There were a couple times where the male & female vocals combined clashed just for a moment when singing in unison – be careful of that in the future. That’s about the only criticism I can think of though, enjoyed it a lot!

Ross Durand – The American Way
As always, your witty, insightful look at things came through brilliantly. Good flow, nice chord changes. Good full sound with minimal instrumentation; this is not easy to do, but you did it very well. (Which means your recording/mixing/engineering is good, in addition to your guitar playing.) It’s hard to do a minimalist and/or folk style without sounding cheap or too “light” in overall texture, and you do a great job at avoiding that common pitfall in this style. Like the sound very much, like the somewhat raw/loose vocal style, and I love the creativity of your lyrics. Good job!

Steve Durand – When Frankie and Johnnie Get Married
Your use of brass is very impressive! (And I’m a brass player myself.) The overall circus/march/oom-pa-pa feel didn’t really thrill me. It was fun, and funny, and as a comic commentary piece it was fine, but the overall style and feel was maybe a bit too silly sounding, for lack of a better description. Your musicianship and songwriting are very skilled though, so I don’t want you to think I didn’t like it. Just maybe a little out of place in contemporary times? I don’t want to sound like a snob and say the sound isn’t “cool” enough, but I guess that’s one way you could look at how this song rubbed me. I liked it overall though.

Happi – Double the Fetish
Very 80’s feel – I like that! During the choruses though, when you had the dual vocals in unison, I found it to be a little discordant; either a harmony, or more on the same pitch, might’ve been a little easier on the ears. However, in the 80’s style this isn’t really a major flaw, maybe I’m being a little nitpicky. Overall, this was a funny choice of stories and your song was pretty funny, but didn’t grab me the way some other entries did. Crude, but funny.

Charlie McCarron – The Mountain Will Not Yield
Great subtle use of backup vocals and brass for lots of texture. I liked this a lot! Your sound went very well with the tragic story. Good clear vocals, great job achieving a balanced mix. Interesting, different chord changes, really well crafted piece all the way around. Good dynamics, very effective use of peaks and valleys in intensity.

Jon Eric – North Dakota
Good mixing/engineering. I like the sound, but not enough for a song this long. Sorry, I just have to be honest. Your voice in this song at times has a somewhat whiny quality, which is fine, and I’m not saying I don’t like your voice, it’s just a little much for a tugging-at-heartstrings song like this to go on for over nine minutes. I loved the fact that you threw some whistling in, and your whistling is better than the average, but to be honest when you did the whistling harmony it wasn’t spot-on. I would avoid doing that in the future. As an avid whistler, I can tell you from experience, being a little off key occasionally is usually not too noticeable, EXCEPT when you do whistling harmonies, and then it sticks out like a sore thumb and it can quickly detract from a song more than it adds. (Your main whistle was good, the harmony part, not so much.) While I enjoy your piano playing, choice of chords, and overall feel, in the future if you’re going to do a multi-part song this long (or over 5 minutes, let’s say) you might want to throw in more variation than you did, and by this I don’t mean so much chord, tempo, and rhythm changes, I mean instrumentation and feel. A song this long has to keep the listener interested the entire way through, and this was a little too much of the same overall sound throughout for a song this long. Big risk going this long, and I give you points for bravery, but in my opinion it didn’t quite pay off. Overall, it’s not a bad song; it’s good but with the important exceptions noted.

Alex Carpenter – The Last Launch
Good head-boppin’ tune! Good full sound with minimal instrumentation. I liked your catchy, memorable lyrics. Not overly cerebral or complicated, just really to the point and catchy. The overall sound of the song did a good job of capturing the angst of saying goodbye to the space program. Good job! Good recording too, very crisp and clear.

SpinTunes #3 Round 2 Review: Mitchell Adam Johnson

This was incredibly difficult. The top three songs were the hardest to sort out. So many well written songs this round - you cats are really stepping it up! It's always difficult to decide how much I'm going to value production/arranging. This is a songwriting contest... Usually the idea of songwriting doesn't focus on these elements... But I think it definitely matters a lot. Clever arranging and instrumentation will help support and strengthen your melody.

There are so many different styles this round... How can some of these tunes even be compared? I did my best to rank the songs at their core. I listened for well written melodies and progressions - even if the production/arrangement wasn't the best. If a melody is truly great, it will cut right through to the listeners ears, regardless of the production value.

That being said, I still took arranging and production into consideration when ranking these brilliant songs. In this round, a lot of the strongest songs (melodically speaking) had fantastic production anyway, so it probably didn't make a huge difference in the end.

Here is my ranking. These are listed in order, beginning with 1st place:

Pat And Gweebol - The Story Is Mine: Confession Of An Undocumented Immigrant
Yes! Holy crap, this is so catchy! "And we gotta work together" - that's a hell of a hook. "Got to try to make it better" - those harmonies are creative and cool. Strong harmonies all around. Gweebol's little bridge is awesome, too! That's probably my favorite part of this song - again, great harmonies. Both Chris and Charlie have stronger production (your production is good, too). But this is a songwriting challenge. And in terms of melodic pop songwriting, I think this one was the strongest. I like how it doesn't really sound like any other artist - it was hard for me to draw any comparisons - it's just a solid little song, and I've had it in my head for days.

Charlie McCarron - The Mountains Will Not Yield
Such a beautiful chord progression. Those trombones are gorgeous. Love those backing harmonies. Haunting melody. Nice job on the arrangement - seriously. God - when you sing "there were six of us"... that is terrifying. A little Elliott Smith vibe in those "hahh" type things. Hell of a production. This is easily the most creative song this challenge... Such a hard call.

Chris Cogott - Welcome To Kabul
White Album!!! Man, you really know how to play to this judge. Impressive vocal harmonies - they remind me of ELO. That louder part in the middle was very McCartney in the early 80's. You are the master of tone. I love this song. Your production is solid and professional. Great placement of the shaker. Brilliant ending. This could have easily been my first or second choice...

The Offhand Band - Program aids food stamp users
This is a fantastic song. Such an intricate chord progression!!! Fantastic diminished chord. Your modulations are brilliant. From E Major to G Major - that was so cool. Brilliant use of inversions. And the melody is so surreal and magical. You wrote a great song. What is that chord at the very end? Is it am9? Whatever it is, it is gorgeous. And it serves as a great modulation chord when you used it earlier in the song.

Caleb Hines - Too Soon To Say Goodbye
The strings holding the fifth at the beginning is magical. Cinematic - I think that word sums up your composition. Brilliant. Another full and gorgeous arrangement. Love the chorus - Especially the V/ii chord (C major) and the Bb augmented chord. Nobody uses augmented chords these days - Nice placement! Such good dynamics in this piece.

Matt And Donna - A Tight Spot
Matt - the tone of your voice is heartbreaking. No matter what you are singing, it's gorgeous. Such a simple and beautiful arrangement. The bridge is my favorite part - perfectly written. Great job on this song!

Jon Eric - North Dakota
Sounds like a musical - like the introduction of a character. Awesome! Great use of kazoos. I like the change of tempo - smooth transition. Love the IV with a dominant 7, and your melody around it. Nice piano work at the end - would work well for the score of a movie. Oooh minor iv chord! It takes guts and musical talent to write a song with multiple movements - clearly you have both. Incredible that you were able to do this with such little time. Flat VI to Flat VII to I. So cool and fitting for the end of your song.

Steve Durand - When Frankie And Johnny Get Married
Such good arranging! Like a county fair! Fantastic trumpet playing. Aw, when those flutes kick in, it's perfect! What a solid ending - nice turnaround. Love it.

Gold Lion - Message For Vivian
The music sounds like the score for a cop show in the early 90's... That is awesome. Your voice is beautiful - really beautiful. The rhythm guitar riff thing is wicked. The acoustic guitar is a little distracting at places.

Wait What - Bunny Please Don't Go
Creative start to your melody - I like it. Great use of autotune. The octaves add a lot. Really funny lyrics. What a cool hook - I'll have this in my head for a long time.

Ross Durand - The American Way
Love well written cynical lyrics - like Randy Newman. Your voice captured my attention completely. Great folky song. Love when the guitar walks down the scale.

Inverse T. Clown - Something In The Air
Cool production / arrangement. Those synths sound awesome - kinda like The Cars at parts (Moving In Stereo). Oh man - the bridge is incredible. I like this song because it keeps getting better as it goes on.

Dr. Lindyke - Prayer For Peace
Expressive. Classical. What a strong melody. It's nice to hear someone who knows there way around a minor melody. The music definitely reflects the lyrics perfectly. Nice use of rests.

Jutze - Re: Your Oil
Very cool! Old school Punk Rock! You nailed the style. Right when that guitar kicks in... perfect! Great transitions - all parts of this song are equally catchy. You can handle different styles of music effortlessly - well done.

Godz Poodlz - Independence And Freedom For All
Really catchy song. I like the chorus a lot more than I like the verses. The chord progression in the verse is a little too cliche. Overall, nice pop song.

Governing Dynamics - Cameras Streetlights, And Things Worth Fighting For
Those drums sound wicked. Like the octaves on the vocals. My favorite part of this song is the rhythm of the melody - like at "not looking for a fight in the least." Great use of rests. Could've used a little more variation, perhaps.

Alex Carpenter - The Last Launch
There is a lot of energy in this melody and guitar part. It keeps driving. Great rhythms in the lyrics. Really kept my attention. Could have used something more in the instrumentation.

Alexa Polasky - Infidelity
Pretty melody right off the bat. "So many years ago," - That part is beautiful. I like your harmonies. I really dig the tone of your voice. The accompaniment is a little rough, perhaps - but it's kinda charming.

Edric Haleen - What About Love?
Powerful lyrics, man. Equal rights and the importance of love. Great backing track to your rap - It's well arranged, and I'm glad that it evolves. Really cool chords. That choir/synth type thing is epic. Too many rap songs just keep the same track on loop. A very passionate song.

Matt Walton - Take Your Placards Down To London
Nice revolutionary melody. Sounds like something from Pocahontas. The pedal tone fits with this song perfectly - but in a songwriting challenge, it doesn't show off your abilities very well. The melody is great though. Very traditional.

Happi - Double The Fetish
Hahahaha! "Do it for my dong." These lyrics are so hilarious. Definitely not a waste of three minutes! There are some really cool rhythms in the rap. A little sloppy here and there.

SpinTunes #3 Round 2 Review: Glenn Case

#1 - Charlie McCarron - The Mountains Will Not Yield
Exceptional chord structure, story choice, and lyrics. Second week in a row where I was ready to dislike the lead vocal, and the repeat listen changed my mind.
LYRICS – good (2) STRUCTURE – good (2) PERFORMANCE – okay (1)
CONCEPT – good (2) DYNAMICS – good (2) SCORE: 9 out of 10

#2 - Matt And Donna - A Tight Spot
Fantastic choice for a topic and the lyrics are extremely clever. Not wild about the vocal performance, but this is a tremendous song that is unquestionably one of the best I have heard in this round. I don’t even mind the keyboard sounds.
LYRICS – good (2) STRUCTURE – good (2) PERFORMANCE – okay (1)
CONCEPT – good (2) DYNAMICS – okay (1) SCORE: 8 out of 10

#3 - Pat And Gweebol - The Story Is Mine: Confession Of An Undocumented Immigrant
I like the concept and the vocal harmonies are fantastic. The horns are also a nice touch. Overall, this is one of the most enjoyable songs of the round for me.
LYRICS – okay (1) STRUCTURE – good (2) PERFORMANCE – good (2)
CONCEPT – good (2) DYNAMICS – okay (1) SCORE: 8 out of 10

#4 - Steve Durand - When Frankie And Johnny Get Married
Flat vocals aside, this is a very fun, clever song that tackles a hot button topic that is probably the most timely of the bunch. Lyrics made me laugh out loud on at least one occasion. You have a habit of making me think that I am going to hate your song, and then I don’t.
LYRICS – good (2) STRUCTURE – good (2) PERFORMANCE – okay (1)
CONCEPT – good (2) DYNAMICS – okay (1) SCORE: 8 out of 10

#5 - Jon Eric - North Dakota (I. Five Years, II. Fargo, III. Panic, IV. Rain, V. Dry Land)
NINE minutes and TWENTY-TWO seconds?! Do you hate the judges, Jon? What did we ever do to you? It’s one thing to have a long song like this in a later round, but I have 20 other songs to listen to and review! On top of that, I try to listen to the songs at least twice to make sure I am really giving the composition a chance to sink in. I do like the “Panic, panic” hook. Vocals are flat in many places, and I would point out their locations if it wouldn’t require a road map to find the instances. All joking aside, I believe you’ve actually composed a piece that justifies the extra song length. This isn’t a 4 minute pop song that has been stretched into an unnecessary length, it is a composition that uses it’s sections wisely in the same way that “Scenes From an Italian Restaurant” does. Well done.
LYRICS – okay (1) STRUCTURE – good (2) PERFORMANCE – okay (1)
CONCEPT – good (2) DYNAMICS – good (2) SCORE: 8 out of 10

#6 - Chris Cogott - Welcome To Kabul
Lead vocals sound pretty good, but the harmonies sound absolutely amazing. Some nice chord changes in there, too. Great topic choice, but the lyrics didn’t particularly grab me.
LYRICS – okay (1) STRUCTURE – good (2) PERFORMANCE – good (2)
CONCEPT – good (2) DYNAMICS – okay (1) SCORE: 8 out of 10

#7 - Governing Dynamics - Cameras, Streetlights, And Things Worth Fighting For
Vocals threaten to go off pitch in a few spots, but they don’t stray far enough to be a problem. I am enjoying this song, and that’s a good thing because I was starting to become fairly irritable after listening to some of the other entries. I liked the couplet “Gathered close beneath streetlights. Vancouver is not safe tonight.”
LYRICS – good (2) STRUCTURE – good (2) PERFORMANCE – okay (1)
CONCEPT – okay (1) DYNAMICS – okay (1) SCORE: 7 out of 10

#8 - Gold Lion - Message For Vivian
The female lead vocals are absolutely stellar. Good backup vocals, too. The same rhythm issues that plagued the band’s round one entry are present here and are actually more noticeable (Example: the rhythm guitar stumbles and falls out of rhythm at :15, 1:16 and 2:13.) I greatly enjoy Gold Lion’s sound, but they would benefit from taking a little more time in the studio to tighten up the recordings a bit. I hope they survive the round, because I hear great potential.
LYRICS – okay (1) STRUCTURE – good (2) PERFORMANCE – okay (1)
CONCEPT – okay (1) DYNAMICS – good (2) SCORE: 7 out of 10

#9 - The Offhand Band - Program Aids Food Stamp Users
The chord structure goes to unpredictable places and many of the changes are a pleasant surprise. Vocals aren’t necessarily off key, but they sound uninspired, nasal and almost (but not quite) grating.
LYRICS – okay (1) STRUCTURE – good (2) PERFORMANCE – okay (1)
CONCEPT – good (2) DYNAMICS – okay (1) SCORE: 7 out of 10

#10 - Dr. Lindyke - Prayer For Peace
Background vocals are mostly sharp. Lead vocals are also sharp on occasion. A strong melody, and the sparse arrangement compliments the composition.
LYRICS – good (2) STRUCTURE – good (2) PERFORMANCE – okay (1)
CONCEPT – okay (1) DYNAMICS – okay (1) SCORE: 7 out of 10

#11 - Ross Durand - The American Way
Lyrics grabbed my attention right away. Bonus points for tackling more than one story and bringing them together into one bigger topic in a way that doesn’t seem forced.
LYRICS – good (2) STRUCTURE – okay (1) PERFORMANCE – okay (1)
CONCEPT – good (2) DYNAMICS – okay (1) SCORE: 7 out of 10

#12 - Caleb Hines - Too Soon To Say Goodbye
Vocals are mostly flat, but the melody is strong. A good topic. The flashback approach works well here.
LYRICS – okay (1) STRUCTURE – good (2) PERFORMANCE – okay (1)
CONCEPT – good (2) DYNAMICS – okay (1) SCORE: 7 out of 10

#13 - Jutze - Re: Your Oil
Fun concept. Not wild about the shoehorning of extra syllables in the line “there will be fewer complications“. Vocals are off-key in the slower spots, but that sounds like that was the intent.
LYRICS – okay (1) STRUCTURE – okay (1) PERFORMANCE – okay (1)
CONCEPT – good (2) DYNAMICS – okay (1) SCORE: 6 out of 10

#14 - Matt Walton - Take Your Placards Down To London
Maybe the droning notes in the background are meant to create a bagpipe effect, but I don’t like it. Having expressed that, I can’t deny that the lyrics are clever and I love your choice of topic.
LYRICS – good (2) STRUCTURE – okay (1) PERFORMANCE – okay (1)
CONCEPT – good (2) DYNAMICS – bad (0) SCORE: 6 out of 10

#15 - Inverse T. Clown - Something In The Air
Good song structure with a fairly catchy chorus. Harmony vocals are often flat.
LYRICS – okay (1) STRUCTURE – good (2) PERFORMANCE – okay (1)
CONCEPT – okay (1) DYNAMICS – okay (1) SCORE: 6 out of 10

#16 - Alexa Polasky – Infidelity
Instrument is not in tune, and is grating on my ears to the point of making this song nearly unlistenable. That is a definite shame, because the composition itself is actually pretty freaking good. Lead vocal is pleasant, but the harmony vocals are occasionally flat.
LYRICS – okay (1) STRUCTURE – okay (1) PERFORMANCE – bad (0)
CONCEPT – good (2) DYNAMICS – okay (1) SCORE: 5 out of 10

#17 - Godz Poodlz - Independence And Freedom For All
The keyboard part sounds completely out of place to me, but I’m thinking it might just be the tone of the patch that is to blame. It’s actually a relief to my ears when it’s gone. Vocals are often flat, harmony vocals are spot on. Not a bad song, but there’s nothing that particularly stands out for me to make it better than okay.
LYRICS – okay (1) STRUCTURE – okay (1) PERFORMANCE – okay (1)
CONCEPT – okay (1) DYNAMICS – okay (1) SCORE: 5 out of 10

#18 - Wait What - Bunny Please Don't Go
Superb topic choice, but the lyrics aren’t quite clever enough to take full advantage of it. I do not like the arrangement at all. I particularly dislike the keyboard slap bass, cowbell and the auto-tuned lead vocals.
LYRICS – okay (1) STRUCTURE – okay (1) PERFORMANCE – bad (0)
CONCEPT – good (2) DYNAMICS – okay (1) SCORE: 5 out of 10

#19 - Alex Carpenter - The Last Launch
Nasal timbre of the vocals is grating. Good topic, but nothing in the lyrics really takes advantage of it.
LYRICS – okay (1) STRUCTURE – okay (1) PERFORMANCE – okay (1)
CONCEPT – okay (1) DYNAMICS – okay (1) SCORE: 5 out of 10

#20 - Happi - Double The Fetish
The chorus is atonal and grating. Decent story choice, but I find the delivery (and many of the lyrics) to be annoying. Appropriately enough, my knee-jerk response to the spoken admission of “That was a waste of 3 minutes of your life” was “Yes, it was.” Thing is, it’s more like a waste of 6 minutes because I try to listen to these entries at least twice so I can attempt to give honest feedback.
LYRICS – okay (1) STRUCTURE – okay (1) PERFORMANCE – bad (0)
CONCEPT – okay (1) DYNAMICS – okay (1) SCORE: 4 out of 10

#21 - Edric Haleen - What About Love?
With all due respect, I am not reviewing this song. I empathize with the reasons for keeping the composition private, but I strongly disagree with the idea of including private entries in a competition where the songs are made available to the public. I feel that allowing such an entry would be the equivalent of playing a game and changing the rules midway. I’m not okay with that.
SCORE: 0 out of 10

SpinTunes #3 Round 2 Review: Mike Lombardo

This review is brought to you from the back seat of a Ford E350 on I90 East between Buffalo NY and Boston MA. Downtime on tour is somewhat of a rarity so I'm sure you'll understand the cause of my brevity. Onward.

The Offhand Band - Program Aids Food Stamp Users
Very strong vocal performance and great piano performance as well - the mic needs a bit less gain and some compression to smooth out those loud parts without clipping the preamp. The arrangement and instrumentation was pleasing, and the melody is very cohesive - using repeated motifs and sections to make a lyrically scattered piece sound tight. (I realize that the lyrics are the article text.) Recommended listening: Cigarette by Ben Folds.

Gold Lion - Message for Vivian
Another strong vocal performance here as well, and it's mixed very pleasingly - the lyrics are clear and understandable. I commend you on your conservative use of vocal reverb on the verse - the chorus section seems a little too cloudy and cluttered. The sizzle cymbal is an often overlooked effect and is put to good use here. At 2:12 when the harmonies come in, they should all be compressed through a bus so it doesn't become overwhelmingly loud in comparison to the single lead vox earlier on in the song. I like the groove and the lyrics are set very well to the melody. I'm not 100% clear on the story here. That could be because I don't have the lyrics in front of me, but listeners sometimes don't. This is a really great entry!

Edric Haleen - What About Love
I award major points for "balls" and "approach" here. The rap lyric is overall very well constructed and flows pretty well. My main bit of critique after listening is that the rhythm of the lyrical delivery seems a bit stilted - not quite a full swung eighth feel ("Lose Yourself") but not quite a strict straight eighth pattern either. This really is a tiny, tiny, distinction, but it really kept me from completely relaxing into the groove.

Jutze - Re: Your Oil
This song presents a much-welcomed scathing view of United States foreign policy. I actually don't have a lot to say about this song - the tempo changes are a bit abrupt but they seem perfectly appropriate for the song. This is the best work I have heard from Jutze yet.

Dr Lindyke - Prayer for Peace
I really wish I were able to have the lyric in front of me for this song. I can tell I'm missing some of the beautifully constructed lines in the tour van. I recognized what sounds like traditional Jewish prayer text in the chorus, supported by rich harmonies. The delivery is very good, although the harmonies could stand to be a bit tighter. Props for pulling off that considerably difficult acoustic guitar part.
I would consider losing the last verse, or changing the order - the "rabbi prays for violence" line is quite stunning and is probably the strongest ending for this song.

Governing Dynamics - Cameras, Streetlights, and Things Worth Fighting For
Some full, lush guitar production here combined with the spacey drum loop creates a unique indie feel. The vocal double in octaves is a great effect for an edgy sound, although I feel it's used a bit too much in this song, and perhaps a better use of it would be to differentiate between the different sections of the song, especially when working with a drum loop which lacks fills to differentiate your sections. This song also lacks dymanic contracts - it's basically the same volume and intensity all the way through. This is a good example of when some arrangement and production decisions can greatly affect the listener's perception of ths song.

Pat and Gweebol - The Story Is Mine
Not sure what's going on with the hard-panned piano intro, it's a bit confusing when listening with headphones. Nice "joy shuffle" feel, although the piano part that's being played would really fit better when it's supporting other instruments - look more towards a solid quarter note style like "Love Song" for more fullness. The vocal performance, though a bit unbalanced at times, is very solid, and the statue of liberty text is a nice addition.

Infidelity - Alexa Polasky
Ukulele! This is a good solid entry, it tells the story clearly and it's pleasing to the ear. My only comment is that it's a bit longer than it needs to be. After about 2 minutes we've heard basically all of the story and the last repetition of the chorus doesn't really add anything.

Matt Walton - Take your Placards Down to London
The 'bagpipe' needs some reverb so we know it's not a really bad recording buzz. This tells the story well, and the form is very appropriate for the style. This is pretty well done and I don't have much non-technical negative feedback. Recommended Listening: Furry Old Lobster by Jonathan Coulton

Godz Poodlz - Independence and Freedom For All
Musically this is pretty cohesive and one of the better GP arrangements to day, with exception of the second bar of the opening riff: the chord is three major with the 5th in the bass (or 7 diminished, functionally similar.) This chord contains the sharp five of the key, but the lead synth melody is playing the natural 5. This clashed heavily to my ear.
The form is good, the structure is good, it's a good length and it's not too repetitive. Some good work from the GP here.

Chris Cogott - Welcome To Kabul
This is a really interesting vintage style recording and it is delivered very well. Great harmony and guitar work. The mix seems just a tad overcompressed. Not much negative feedback here, this is a very enjoyable entry.

Inverse T Clown - Something In The Air
My lack of internet really makes me wonder what news article this song was based on. Aliens always a good choice though.

Caleb Hines - Too Soon To Say Goodbye
I like the theatericality and the cinematic feel of this entry. Compositionally it's probably the best work I've heard from Caleb so far. It's a comfortable length and the form works well. I'm not feeling the hand claps on the last chorus, they seem too 'happy' for the tone of the song.

Matt and Donna - A Tight Spot
Is that lead patch a Yamaha HandySound?! This entry hits an excellent balance between clearly revealing the article the story is based on, and creating a stand alone enjoyable song. This is a funny tune that could be performed well at an open mic night. I like the piano on the last chorus but the ride cymbal is unneccessary - take it out and listen to how much more space there is. Good closing line as well.

Wait What - Bunny Please Don't Go
For me, the story wasn't clearly revealed until the last verse section. Saying "penis" in a song makes me laugh for some reason. I'm super-mature. There's not much substance here but it makes me laugh and it's fun.

Ross Durand - The American Way
Despite some legal innacuracies in the first verse (M rated games aren't sold to <18 either) , this song makes its point and makes it well. The length and form are great here, the only thing that felt a little out of whack was the "bridge" line "states rights, states wrongs." That line can go completely and leave a two-line bridge which would flow much better back into the last verse.

Steve Durand - When Frankie and Johnny Get Married
This is well written and well-arranged. I'm a big fan of the style, although lyrically the 'joke' factor seemed a bit low. The "gay old time" pun is funny but it feels like the entire first few sections are working really hard just to set that up. I think there are a few more "ha" moments that could be fit into the lyric here.

Happi - Double The Fetish
This was entertaining and funny, and although I'm a big fan of swearing in music, the "just fuck off and die" line seems a bit too forceful given the subject matter of the song. The verse line "to tackle me down he's not prepared to commit" is what one of my professors referred to as "shakespeare speak" - flipping a line abnormally to make the rhyme work. We're all guilty of it but it's best to rework things when you notice them.

Charlie McCarron - The Mountains Will Not Yield
You again, Mr McCarron with your "serious songs." How dare you release something that's not a novelty! I'm digging the interesting compound time feel even though it's really a simple 3/4. You have stellar vocal harmonies as usual. Very cool chord progression and brass orchestration as well. This is a very radiohead-esque piece and it's very well done. The backgrounds around 2m are excellent as well.

Jon Eric - North Dakota
This is an epic ten minute musical-theater-style entry that I definitely can't do justice to inside a tour van without the lyrics in front of me. I could have gone for a little more stylistic / harmonic / metric variation between the sections but this is a solid foray into the style. I wish I could say more but I really need to give this a few listens to appreciate the whole entry.

Alex Carpenter - The Last Launch
Surprisingly good production quality for a one-take back-of-tour-bus recording. I am a fan of the money line containing homages to past shuttle names. And I like platter stops.